Madonna

All the world suffers from the usury of the Jews, their monopolies and deceit.
They have brought many unfortunate peoples into a state of poverty,
especially farmers, working-class people, and the very poor. — Pope Clement VIII

The Dialogue: The Tribe of the Crown

Pius XIII: (Exhaling a cloud of smoke that obscures his face) “Clement was a blunt instrument, Louise. He saw the effect but ignored the lineage. He spoke of ‘the Jews’ as if they were a foreign infection, failing to realize that the very Thrones of Europe—the ‘Most Christian’ Kings and Queens he blessed—were obsessed with their own Davidic claims. They preened themselves as the true Tribe of Judah, the rightful heirs to the scepter.”

Madonna: (Toying with a heavy, diamond-encrusted crucifix) “So they weren’t just protecting the faith. They were protecting the brand. The ultimate cultural appropriation.”

Pius XIII: “Precisely. It is the oldest trick in the Vatican’s playbook: the scapegoat. These monarchs built their empires on the shifting sands of fractional reserve systems—creating wealth out of thin air, a magic trick that would make even your stage shows look amateur. And when the math inevitably failed, when the gold wasn’t in the vault and the peasants sharpened their pitchforks, the ‘Kings of Judah’ needed a villain.”

Madonna: “And who better than the people you’ve already labeled ‘outsiders’? You crash the economy, then point the finger at the neighborhood you forced them to live in. It’s a rigged game, Lenny.”

Pius XIII: “It’s more than rigged; it’s a masterpiece of theater. The elite blamed the ‘usury of the Jews’ to distract from the fact that the entire Royal Treasury was a house of cards built on the same principles. They condemned the monopoly while holding the deed. Clement wasn’t just a Pope; he was the ultimate press secretary for a bankrupt aristocracy that wanted to keep its crown by sacrificing its creditors.”

Madonna: “So the ‘poverty’ he cried about wasn’t caused by the people in the Ghetto. It was caused by the people in the Palace who couldn’t pay their bills.”

Pius XIII: (Leaning forward, his blue eyes cold) “The poor are always the footstool for those who claim Divine Right. The Kings of the earth played at being the Tribe of Judah, but they lacked the one thing that makes Judah eternal: the ability to survive the fire. They preferred to start the fire themselves and watch the world burn from the balcony.”

Pius XIII: (Leaning back, the smoke curling around his papal tiara like a shroud) “Look at Edward I of England, Louise. The ‘Longshanks.’ In 1290, he was drowning in debt—wars are expensive, and his vanity was even costlier. He didn’t have the gold, so he played the ‘Judah’ card. He issued the Edict of Expulsion, seizing every asset, every ledger, every coin belonging to the Jews. He didn’t just cancel his debt; he turned a bankruptcy into a ‘holy act’ of purification. He fed the farmers the lie that their poverty was a Jewish invention, while he used the stolen capital to build castles in Wales.”

Madonna: “It’s the ultimate rebrand. ‘I’m not a thief, I’m a Crusader.’ If you control the narrative and the God, you never have to be the villain. You just find someone to play the part for you.”

Pius XIII: “Exactly. And the Church provided the script. Clement VIII wasn’t just observing history; he was editing it. He spoke of ‘monopolies’ as if the Papal States weren’t the largest monopoly in the known world. The ‘Tribe of Judah’ in the palaces and the ‘Vicars of Christ’ in the cathedrals ran a closed-loop system. When the peasants realized the bread was gone because the King had spent it on silk, the Church simply pointed to the moneychanger. It’s a beautiful, horrific sleight of hand.”

Madonna: “And we’re still doing it. Different names, different ‘tribes,’ but the same fractional heart. We print money out of ego and pay for it with blood. You know, Lenny, for a man who claims to be the gatekeeper of Heaven, you have a very dark view of the house.”

Pius XIII: (A cold, sharp laugh) “The light is only visible because of the darkness, Louise. I am the Pope. I don’t just see the house; I see the plumbing. And the pipes have always been stained with the ink of false ledgers. The Kings of the earth pretend to be the Lion of Judah so they don’t have to admit they are merely the hyenas of the treasury.”