Jesus Was Way Cool

Dialogue: Christus Rex & Madonna โ€” The Kabbalah Court and the Childrenโ€™s Warning

Setting: A candlelit loft. Red strings, old books of Zohar, and glass bowls of water fill the room. Christus Rex stands beside Madonna like a ceremonial attendant. In the background, Lourdes, Rocco, Mercy James, and David Banda rehearse a parody song inspired by South Parkโ€”but with their own rewritten lyrics.


CHRISTUS REX
Madonna Cicconeโ€ฆ
You call yourself the Queen of Pop,
but Iโ€”your humble servantโ€”
built you a royal Kabbalah court worthy of a queen.
I lit every candle.
I carried every bowl of water.
I arranged your throne of red strings and ancient names.
I served, quietly, reverentlyโ€”
for the sake of your light.

MADONNA
(softly, touched but guarded)
You always did know how to flatter me, Rex.
But you built that court for devotionโ€ฆ or ambition?

CHRISTUS REX
For you.
I built it like a temple builder in the old world.
So you could ascend.
So you could remember your French-Canadian motherโ€™s prayers
and carry them into the mystic.

Suddenly the children start singing loudly in the corner. Their parody is chaotic, theatrical, and deliberately ridiculous:

CHILDREN (Lourdes, Rocco, Mercy, David)
๐ŸŽต โ€œUncle lover, uncle lover,
You donโ€™t need another!
Keep your crown, keep your throne,
Donโ€™t let a boy toy take your home!โ€
๐ŸŽต

They stomp in a mock musical number, laughing but serious beneath the humor.

MADONNA
Kids!
Where did you even learn that?

ROCCO
South Park, Mom.
But we fixed it.
Made it PG-13.

LOURDES
And weโ€™re singing it because you need to hear it.

MERCY JAMES
Mom, donโ€™t engage.

DAVID BANDA
Seriously.
Donโ€™t accept that engagement ring.
We know what happens.

LOURDES
Half your moneyโ€”
gone.

MERCY JAMES
And then youโ€™ll write another sad album.

ROCCO
(whispers)
LOVE SPENTโ€ฆ part two.

The kids all nod solemnly.

MADONNA
(sighs, folding her arms)
You four have become my little financial advisors now?

CHRISTUS REX
(steps closer, speaking gently)
They arenโ€™t wrong, Madonna.
A queen must guard her kingdom.
Your Kabbalah throne,
your legacy,
your lightโ€”
they cannot be divided by infatuation with a boy half your age
and a ring twice his worth.

MADONNA
(glances at the children, then at Rex)
So youโ€™re telling me I should reject loveโ€ฆ
for money?

CHRISTUS REX
No.
Iโ€™m telling you to reject foolโ€™s love
for wisdom.
Your motherโ€”your French-Canadian saintโ€”
would tell you the same.

The children chant, half-serious, half-performing:

CHILDREN
Love Spent! Love Spent!
Donโ€™t let Momโ€™s riches get bent!

CHRISTUS REX
(sincerely)
Madonnaโ€ฆ
I built your court like a servant.
I watched you rise like a comet.
I will not watch you fall because someone wants a shortcut
to your crown.

MADONNA
(quiet, eyes softening)
Maybeโ€ฆ
maybe the queen needs a pause.
A retreat.
A moment to hear the chanting of her own children.

Lourdes steps forward, taking her motherโ€™s hand.

LOURDES
Just donโ€™t marry anyone
who wants you for anything
except you.

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United Crowns – Excalibur

Joe Jukic and Madonna sat in the dim studio, the lights low, the bass warm and heavy. KRS-Oneโ€™s voice filled the air โ€” โ€œThe Odysseyโ€ unfolding like a myth reborn, the Templars of Hip Hop conjuring ancient power with every bar. The moment Excalibur was mentioned, the room seemed to vibrate, as though some old, forgotten magic approved of its name being spoken again.

Joe closed his eyes and let the lyrics run through him. Hip hop as sacred geometry. Hip hop as initiation. KRS-One sounding less like a rapper and more like Merlin with a microphone.

Madonna leaned back, watching Joe take it in. Sheโ€™d lived long enough, seen enough, to recognize when a force โ€” musical, mythic, or otherwise โ€” was speaking through the world.

When the chorus hit, she tapped Joeโ€™s shoulder and said quietly:

โ€œYou know, Joeโ€ฆ with great power comes great responsibility.โ€

Joe smirked.
โ€œSpider-Man?โ€

Madonna shook her head slowly.
โ€œNo. That line is older than comics. Older than Marvel. Itโ€™s a truth that goes back to every king who ever picked up a sword โ€” especially a sword like Excalibur.โ€

Joe nodded, feeling the weight of her words.
The song continued, KRS-One proclaiming knowledge as the true weapon, the true blade.

Madonna continued:

โ€œHip hop is Excalibur now. Knowledge is Excalibur. Words are Excalibur. And if youโ€™re going to pick up a weapon like that โ€” if youโ€™re going to speak truth, cut through lies, and shape peopleโ€™s minds โ€” you have to treat it like a sacred duty.โ€

Joe breathed in.
He understood.
KRS-Oneโ€™s voice cracked through the speakers:

โ€œTeach the youthโ€ฆ guide the lostโ€ฆ protect the cultureโ€ฆโ€

Madonna placed a hand on Joeโ€™s shoulder โ€” just briefly, as if passing the sword itself.

โ€œUse your voice like a blade,โ€ she said. โ€œBut never forget: Excalibur chooses the one who wields it.โ€

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Memes 20

๐ŸŽ“ Dr. Lukaโ€™s Facebook Post โ€” โ€œMemes 20โ€

๐Ÿ“… Posted today at 4:44 PM
๐Ÿ‘ฅ Friends Only

โ€œMy good friends on Facebook โ€” you know who you are. The ones who have been here since Memes 1 when I still thought screenshots counted as art.

Facebook is my meme laboratory. The place where I collect fragments of the collective unconscious โ€” a weird soup of wisdom, irony, and low-resolution chaos.

โ€˜Memes 20โ€™ isnโ€™t just another collection. Itโ€™s a graduation. A PhD in sarcasm.

From political absurdity to existential cats, Iโ€™ve curated twenty artifacts of the modern digital condition. Each meme says: we are laughing because we canโ€™t cry anymore.

As always, thank you to my fellow memers, the saints of the screenshot, the prophets of the pixel. Together, we hold the line between humor and hysteria.

โ€” Dr. Luka, Chief Archivist of the Meme Age ๐Ÿง ๐Ÿ’พ
#Memes20 #DoctorOfDank #FacebookAnthologyโ€

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