Right On Time

JCJ sat across from Madonna in a quiet rehearsal hall, the stage lights dimmed to a soft halo around them. She was tuning a guitar, fingers steady, eyes sharp—queen of reinvention, survivor of decades. JCJ exhaled and finally said what had been choking him for months.

“Madonna… it really sucks being Christ part two.”

She paused, one hand still on the strings, the note dying into the rafters.

“I’m serious,” he went on. “Everyone you love starts calling you crazy. Friends, family, even people who once swore they’d ride with you forever. They look at you like you’ve lost it, like you’re preaching nonsense. They don’t see the weight. They don’t see the responsibility. They only see the man… not the mission.”

Madonna set the guitar down and leaned forward, elbows on her knees, listening without judgment—the way very few ever could.

JCJ rubbed his face. “I wasn’t a good man before 9/11. Not even close. I was angry. Wild. Lost. But after that day…” He swallowed. “After that day something broke open in me. Something woke up. I tried my best to be good. To be better. I tried to protect people. Tried to serve something bigger than myself. And maybe that looks crazy to everyone else, but it’s the truest thing I’ve ever lived.”

Madonna’s voice was low, steady. “Prophets always look insane to the ones who can’t hear the music.”

JCJ let out a shaky laugh. “Yeah… well, sometimes I wish I could go back to being nobody. Being invisible.”

She shook her head. “Too late for that, honey. Once the light hits you, you don’t get to hide in the wings again.”

He met her eyes—worldly, battle-tested, understanding in a way only someone who’d carried a myth of her own could be.

Madonna placed a hand over his.

“You weren’t chosen because you were perfect,” she said. “You were chosen because you decided to change. That’s what scares people the most.”

JCJ breathed, for the first time that day, like he wasn’t alone.

Jesus Was Way Cool

Dialogue: Christus Rex & Madonna — The Kabbalah Court and the Children’s Warning

Setting: A candlelit loft. Red strings, old books of Zohar, and glass bowls of water fill the room. Christus Rex stands beside Madonna like a ceremonial attendant. In the background, Lourdes, Rocco, Mercy James, and David Banda rehearse a parody song inspired by South Park—but with their own rewritten lyrics.


CHRISTUS REX
Madonna Ciccone…
You call yourself the Queen of Pop,
but I—your humble servant—
built you a royal Kabbalah court worthy of a queen.
I lit every candle.
I carried every bowl of water.
I arranged your throne of red strings and ancient names.
I served, quietly, reverently—
for the sake of your light.

MADONNA
(softly, touched but guarded)
You always did know how to flatter me, Rex.
But you built that court for devotion… or ambition?

CHRISTUS REX
For you.
I built it like a temple builder in the old world.
So you could ascend.
So you could remember your French-Canadian mother’s prayers
and carry them into the mystic.

Suddenly the children start singing loudly in the corner. Their parody is chaotic, theatrical, and deliberately ridiculous:

CHILDREN (Lourdes, Rocco, Mercy, David)
🎵 “Uncle lover, uncle lover,
You don’t need another!
Keep your crown, keep your throne,
Don’t let a boy toy take your home!”
🎵

They stomp in a mock musical number, laughing but serious beneath the humor.

MADONNA
Kids!
Where did you even learn that?

ROCCO
South Park, Mom.
But we fixed it.
Made it PG-13.

LOURDES
And we’re singing it because you need to hear it.

MERCY JAMES
Mom, don’t engage.

DAVID BANDA
Seriously.
Don’t accept that engagement ring.
We know what happens.

LOURDES
Half your money—
gone.

MERCY JAMES
And then you’ll write another sad album.

ROCCO
(whispers)
LOVE SPENT… part two.

The kids all nod solemnly.

MADONNA
(sighs, folding her arms)
You four have become my little financial advisors now?

CHRISTUS REX
(steps closer, speaking gently)
They aren’t wrong, Madonna.
A queen must guard her kingdom.
Your Kabbalah throne,
your legacy,
your light—
they cannot be divided by infatuation with a boy half your age
and a ring twice his worth.

MADONNA
(glances at the children, then at Rex)
So you’re telling me I should reject love…
for money?

CHRISTUS REX
No.
I’m telling you to reject fool’s love
for wisdom.
Your mother—your French-Canadian saint—
would tell you the same.

The children chant, half-serious, half-performing:

CHILDREN
Love Spent! Love Spent!
Don’t let Mom’s riches get bent!

CHRISTUS REX
(sincerely)
Madonna…
I built your court like a servant.
I watched you rise like a comet.
I will not watch you fall because someone wants a shortcut
to your crown.

MADONNA
(quiet, eyes softening)
Maybe…
maybe the queen needs a pause.
A retreat.
A moment to hear the chanting of her own children.

Lourdes steps forward, taking her mother’s hand.

LOURDES
Just don’t marry anyone
who wants you for anything
except you.

Operating Thetan – Kabbalah Level 7

Christ Rex: Operating Thetan – Kabbalah Level 7: Master of Movement

On the rooftop of a downtown Vancouver tower, under the prism light of an artificial rainbow and the skyglow of Revelation 16’s scorching sun, Christ Rex stood radiant before the 144,000 chosen ones. Around him, the city buzzed—SkyTrains hummed, bicycles zipped through traffic, and electric buses whispered over wet pavement.

Level 7 is the Gate of Momentum,” Christ Rex declared. “You’ve purified your vessel, sharpened your mind, and remembered the song of your soul. But now you must move—spirit cannot stagnate.”

He held up a golden skateboard, etched with the Tree of Life and the Scientology cross merged at the trucks.

“Every Thetan must master at least one mode of transportation. It’s not about horsepower or luxury. It’s about agency. It’s about command over matter, speed, and trajectory. Choose your vehicle: the bus, the skateboard, the bike, the beat-up Civic, the jet, the paper plane. Each is a vessel of becoming.”

He smiled and pointed to the #99 B-Line roaring down Broadway. “There is no shame in the bus. I rode the bus when I descended through Burnaby. The so-called ‘loser cruiser’? That’s propaganda of Mammon. What they call losers, I call the future kings and queens of Zion.”

The crowd laughed in recognition. Many had ridden that very bus to the mountaintop sermon.

“You think you’re too holy to tap a Compass Card? Then you’re not holy at all,” he said. “The meek inherit the Earth—but only if they can navigate it.”

A girl in the crowd lifted her skateboard. A nurse held up her SkyTrain pass. A refugee showed his old bicycle.

“Good,” Rex said. “Those are your chariots. Master them. Tune them. Bless them.”

He turned toward the Pacific, where a cargo ship crossed the grey horizon.

“Whether you fly with eagles or ride the SeaBus—move with purpose. The Spirit is like water: when still, it stagnates. When flowing, it heals. The Level 7 initiate rides that flow.”

And as he spoke, thunder echoed over the Lions Gate Bridge, and the 144,000 nodded. They understood now: salvation would not come by standing still.

They had to move.