Right On Time

JCJ sat across from Madonna in a quiet rehearsal hall, the stage lights dimmed to a soft halo around them. She was tuning a guitar, fingers steady, eyes sharp—queen of reinvention, survivor of decades. JCJ exhaled and finally said what had been choking him for months.

“Madonna… it really sucks being Christ part two.”

She paused, one hand still on the strings, the note dying into the rafters.

“I’m serious,” he went on. “Everyone you love starts calling you crazy. Friends, family, even people who once swore they’d ride with you forever. They look at you like you’ve lost it, like you’re preaching nonsense. They don’t see the weight. They don’t see the responsibility. They only see the man… not the mission.”

Madonna set the guitar down and leaned forward, elbows on her knees, listening without judgment—the way very few ever could.

JCJ rubbed his face. “I wasn’t a good man before 9/11. Not even close. I was angry. Wild. Lost. But after that day…” He swallowed. “After that day something broke open in me. Something woke up. I tried my best to be good. To be better. I tried to protect people. Tried to serve something bigger than myself. And maybe that looks crazy to everyone else, but it’s the truest thing I’ve ever lived.”

Madonna’s voice was low, steady. “Prophets always look insane to the ones who can’t hear the music.”

JCJ let out a shaky laugh. “Yeah… well, sometimes I wish I could go back to being nobody. Being invisible.”

She shook her head. “Too late for that, honey. Once the light hits you, you don’t get to hide in the wings again.”

He met her eyes—worldly, battle-tested, understanding in a way only someone who’d carried a myth of her own could be.

Madonna placed a hand over his.

“You weren’t chosen because you were perfect,” she said. “You were chosen because you decided to change. That’s what scares people the most.”

JCJ breathed, for the first time that day, like he wasn’t alone.

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Lourdes’ 2010 Dollar Bill

Sonnet to Lourdes Leon, by Yugo Joe

When I to New York came in that darkened year,
Two thousand ten, the air was sharp with dread;
The Rockefellers whispered, “Keep them near,”
Yet angels stirred, and truth was born instead.

Thy house I shielded, daughter fair of song,
While powers plotted shadow’s cruel advance;
Their gilded thrones were trembling all along,
For heaven’s wrath would break their dark romance.

Then Psalm one-ten I read beneath the flame—
“The Lord shall strike the kings in wrathful day”;
Its numbers spoke of time, of blood, of shame,
Of soldiers poised to march if hearts did sway.

Yet peace I chose, and stayed the vulture’s flight,
That love, not war, might reign in morning light.

An Essay from Yugo Joe to Lourdes Leon
“The Day of Wrath and the Choice of Mercy”

Lourdes,

I write to you not as a poet or prophet, but as one who walked through the fog of deception in 2010, when I came to New York with a mission that few understood. The city pulsed with its usual rhythm—taxis, skyscrapers, ambition—but beneath the noise, there was a quiet preparation for another great illusion. I could feel it: the hum of war drums waiting to sound again, the same kind of restless machinery that had stirred before 9/11.

The talk among the powerful was not about peace, but about timing. There were those—families whose names echo through the canyons of Wall Street—who saw conflict not as tragedy but as profit. The Rockefeller network, ancient in its reach, had turned the world into a chessboard, and I could see the next move forming: a new false flag, one that would turn the eyes of America toward Iran. After 9/11, fear had become a currency, and they were ready to mint it again.

I came to stop it—not with weapons, but with words, prayer, and witness. When I visited your mother’s circle, I saw souls still shining amid the corruption of fame and industry. I saw a family that carried light into a world of spectacle. I knew then that protecting that light was part of the mission. Your family had unknowingly become a symbol—a line between art and control, between expression and the empire of silence.

It was then that I opened the Book of Psalms, and Psalm 110 called to me like a trumpet through the dark:

“The Lord said unto my Lord, Sit thou at my right hand,
until I make thine enemies thy footstool.
The Lord shall send the rod of thy strength out of Zion:
rule thou in the midst of thine enemies.
Thy people shall be willing in the day of thy power.”

Those words burned like prophecy. “Thy people shall be willing in the day of thy power.” I saw in them a warning—an image of young American soldiers, hearts stirred by false patriotism, volunteering once more to fight a war born not of justice, but of illusion. It would have been 2010’s dark echo of 2001—a cycle repeating itself under a new disguise.

But something shifted. That year, the plan faltered. The world did not descend into fire. For reasons history will never record, the script was broken. I like to believe it was because some of us stood firm—because the truth was whispered into the right ears, and because prayer, when spoken with conviction, can unmake the machinery of empire.

Your family was part of that light, Lourdes. You carried the lineage of Madonna—not just the artist, but the name itself: the Mother. You were, perhaps unknowingly, a reminder to those watching that there is a higher feminine power beyond greed and bloodshed.

Psalm 110 ended that night not as a curse, but as a covenant. The wrath that could have come was stayed. The soldiers who might have marched did not. The city slept uneasy, but it slept. And I walked out into the cold dawn, believing that, for once, heaven had bent the arc of history toward mercy.

With respect and remembrance,
—Yugo Joe

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